New DVDs for 2/6
New this week is an early classic, and a new classic
All Quiet on the Western Front (1930)
Flags of Our Fathers (2006)
I have not had the opportunity to see either of these yet, but when I do, you can be sure to read the review here! I will say that from the previews/trailers for FFoF I think they might've gone overboard with the color work... Did the world really look so OD green in 1945?
All Quiet on the Western Front (1930)
This is an English language film (made in America) adapted from a novel by German author Erich Maria Remarque. The film follows a group of German schoolboys, talked into enlisting at the beginning of World War 1 by their jingoistic teacher. The story is told entirely through the experiences of the young German recruits and highlights the tragedy of war through the eyes of individuals. As the boys witness death and mutilation all around them, any preconceptions about "the enemy" and the "rights and wrongs" of the conflict disappear, leaving them angry and bewildered. This is highlighted in the scene where Paul mortally wounds a French soldier and then weeps bitterly as he fights to save his life while trapped in a shell crater with the body. The film is not about heroism but about drudgery and futility and the gulf between the concept of war and the actuality.
Flags of Our Fathers (2006)
In February, 1945, one of the fiercest battles of the Pacific theater of World War II occurs on the tiny island of Iwo Jima. Thousands of Marines attack the stronghold maintained by thousands of Japanese, and the slaughter on both sides is horrific. Early in the battle, an American flag is raised atop the high point, Mount Suribachi, and a photograph of the raising becomes an American cause celebre. As a powerful inspiration to war-sick Americans, the photo becomes a symbol of the Allied cause. The three surviving flag raisers, Rene Gagnon, John Bradley, and Ira Hayes, are whisked back to civilization to help raise funds for the war effort. But the accolades for heroism heaped upon the three men are at odds with their own personal realizations that thousands of real heroes lie dead on Iwo Jima, and that their own contributions to the fight are only symbolic and not deserving of the singling out they are experiencing. Each of the three must come to terms with the honors, exploitation, and grief that they face simply for being in a photograph.
I have not had the opportunity to see either of these yet, but when I do, you can be sure to read the review here! I will say that from the previews/trailers for FFoF I think they might've gone overboard with the color work... Did the world really look so OD green in 1945?
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