1960s

Published on August 20th, 2010 | by Chris

1

The Blue Max (1966)


Reviewed by:
Rating:
3
On August 20, 2010
Last modified:October 5, 2012

Summary:

The movie comes across as more of a classical "character tragedy" than anything else, as Stachel rises to fame, poisons that by his own doings, and pays the ultimate price for it.


The Blue Max (1966)In much the same vein as "The Red Baron," we bring you "The Blue Max." A tale from the novel by the same name from Jack Hunter.

The story follows one Bruno Stachel (George Peppard) as he makes his way from the German infantry in The Big One up to a Lt. in the Luftwaffe. His goal? To win the holy grail of the skies, The "Blue Max" medal.

To that end he ruthlessly goes after any and every kill he can find, much to the chagrin of his fellow fliers. Even going so far as to spend an entire day out looking for the wreckage of a plane he downed, but can't confirm. He even manages to secure the Red Baron's plane at one point.

Along the way, he becomes a "golden boy" of the German propaganda machine, propped up as the "commoner's Richtofen", a contrast to the upper-class upbringing of his comrade. The problem is that Stachel buys into his own hype whole-heartedly, and quickly becomes a pain and a menace to the men around him, and to the officer corps in general, led here by General Count von Klugermann (James Mason.) He even takes his "conquest" to the next level by having a fling with the General's wife (Ursula Andress.) Eventually, the General

The problem is not the movie, the story, or the production, all of which are quite excellent, if a bit long (clocking in at 156 min.).... But rather Peppard himself. He's awfully, well, wooden in this picture. No other way to say it. There's no feeling here, no nothing really. He's a machine. But he's outdone in this picture by the *real* machines, namely the aircraft and the dogfights therein.

And to that effect there are some wonderfully executed flying scenes here. Done by real airplanes and pilots. No low-budget CG here, folks. It's the real deal, and it's really fun. But like I said, the rest just sorta drags along as Stachel barely cracks a face of any kind.

Any message here? That I'm not entirely sure of. Having not read the book I can't deduce if there's supposed to be one, but I really can't find one. The movie comes across as more of a classical "character tragedy" than anything else, as Stachel rises to fame, poisons that by his own doings, and pays the ultimate price for it.

All that said, it is an overall very good movie, with the one flaw being Hannibal's Peppard's seeming lack of enthusiasm.

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Description

The Blue Max is highly unusual among Hollywood films, not just for being a large-scale drama set during the generally overlooked World War I, but in concentrating on air combat as seen entirely from the German point of view...

DVD Information

Binding: DVD
Aspect Ratio: 2.35:1
Audience Rating: NR (Not Rated)
Brand: PEPPARD,GEORGE
Manufacturer: 20th Century Fox
Original Release Date:
Actors:
  • George Peppard
  • James Mason
  • Ursula Andress
  • Jeremy Kemp
  • Karl Michael Vogler

Features

  • Factory sealed DVD

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The Blue Max (1966) Chris

Summary: The movie comes across as more of a classical "character tragedy" than anything else, as Stachel rises to fame, poisons that by his own doings, and pays the ultimate price for it.

3.5


User Rating: 4 (1 votes)


About the Author

I've been watching war movies for probably 25 years now. Since December 2006 I've been sharing my habit and passion for these movies here on this site.



One Response to The Blue Max (1966)

  1. Curtiss Mooney says:

    The story is about class-consciousness among the German (e.e. Prussian) aristocracy, and Stachel’s resentment at initially being snubbed as the son of a hotel maitre’ di. He goes above and beyond, as it were to make a name for himself out of spite and defiance of authority. In the end he is destroyed for overstepping himself by claiming another pilot’s kills for his own.

    George Peppard did his own flying in the movie and afterward bought the high-wing Neiuport monoplane that his character Stachel got killed in, to fly as his personal plane. The extraordinary flying sequences and the evokative music are the highpoints of the movie.

    Stanley Kubrick’s “Barry Lyndon” follows a similar story about an Irish waistrel’s rise to and fall from grace during the era of Frederick the Great (and even uses a march tune composed by the Prussian monarch as part of its score).

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